Actor
Originally hailing from the Dorset countryside, Liz studied at the prestigious Birmingham School of Acting for 3 years. Since graduating Liz has worked in all areas of the industry from stage to TV work, voiceover to improvisation, working with many talented companies both in the UK and abroad. She has relished taking roles in the classics - Shakespeare, Moliere and Shaw, as well as parts in new writing and playing the odd pirate or mouse.
Liz has recently completed filming in Germany on a new German TV series ‘Pan Tau’ due for release in 2020 from Caligari Film.
Liz recently played Bess Throckmorten in Sir Walter's Women for 2 Time Theatre. Liz also toured nationally with Sebastian Faulks’ ‘Birdsong’ for Original Theatre Company / Birdsong Productions and with David Walliams’ Gangsta Granny for Birmingham Stage Company which included a West End run.
Liz has also been heard on Radio 4 in the comedy Josh Howie's Losing It.

Originally hailing from the Dorset countryside, Liz studied at the prestigious Birmingham School of Acting for 3 years. Since graduating Liz has worked in all areas of the industry from stage to TV work, voiceover to improvisation, working with many talented companies both in the UK and abroad. She has relished taking roles in the classics-Shakespeare, Moliere and Shaw, as well as parts in new writing and playing the odd pirate or mouse.
Liz recently played Bess Throckmorten in Sir Walter's Women for 2 Time Theatre. Liz also toured nationally with Sebastian Faulks’ ‘Birdsong’ for Original Theatre Company / Birdsong Productions and with David Walliams’ Gangsta Granny for Birmingham Stage Company which included a West End run.
Liz has also been heard on Radio 4 in the comedy Josh Howie's Losing It.

Showreel
Voicereel
CV
Role | Production | Producer / Theatre | Directed by |
---|---|---|---|
The Wicked Witch | The Wizard of Oz | St George’s Theatre, Great Yarmouth | |
Bess Throckmorten | Sir Walter's Women | 2 Time Theatre | Alice Kornitzer |
Jeanne | Birdsong | Original Theatre Company / Birdsong Productions | Alastair Whatley / Charlotte Peters |
The Queen / Matron | Gangsta Granny | Birmingham Stage Company | Neal Foster |
Captain Henrietta | Secondary Cause Of Death | Talking Scarlet | Patric Kearns |
Julia Price | The Ghost Train | Talking Scarlet | Patric Kearns |
Jo Mitchell | Murder With Love | Talking Scarlet | David Janson |
Fairy Godmother | Cinderella | Sheringham Little Theatre | Nick Earnshaw |
Kitty | Taking Steps | Screen Test Productions | Graham Pountney |
Queenie | Edmond and Co | Laughines | Michael Wilson Green |
Jane | Don’t Misunderstand Me | The English Theatre Of Hamburg | Clifford Dean |
Teresa | The Jeweller | Leicester Square Theatre | Paul Jepson |
Lula | The Dutchman | Arcola Theatre | Cornell S John |
Old Women | Scenes From Bond | Theatre Royal Haymarket | Paul Hart |
Portia | Wasted / Julius Caesar | Intermission Actors | Darren Raymond |
Ruth | A Carpet Of Broken Glass | Riverside Studios | Andrew Braidford |
Gerda | When Worlds Collide | Riding Lights Theatre Company | Paul Burbridge |
Kristina | Easter | Michael Friend Productions | Michael Friend |
Role | Production | Produced by | Directed by |
---|---|---|---|
Mimi Spoons | Andy and The Band | BBC | Matt Holt |
Receptionist | Pan Tau | Caligari Film, Germany | Michael Zens |
Mum | Milkshake Idents | Channel 5 Creative | Sarah Gloag |
Mum | Milkshake Idents | Channel 5 Creative | Kate Chedgey |
Susanna | Fallout | Inside Job Productions | Martin Scanlon |
Friend / Mother | St John Ambulance commercial | Blink Productions | Benito Montorio |
ADR Artist | The Sweeney | Vertigo Films | Nick Love |
Debbie Granger | Down to Earth | BBC Television | Dominic Keavey |
Ren | Echo Screen | Memento Pictures | Dan Tonkin |
Various | Comedy Sketch Show | The Barbara Invasions | Matt Holt |
Comedy writer |
---|
Radio Presenting |
Producer / Writer / Actor for sketch group The Barbara Invasions |
Voiceover artist |
Strong Mezzo / Soprano |
Improvisor |
Review
Accompanying them is highly strung and excitable Julia Price, a role perfectly suited to Liz Garland. Her every hysterical word, gesture and movement is mesmerising as the tension builds to breaking point – a performance to remember.